浅析女性艺人在西藏传统音乐传承发展中的作用——以拉萨堆谐和囊玛为例  

The Role of Female Artists in the Inheritance and Development of Tibetan Traditional Music:A Case Study of Lhasa Doeshay and Nangma

作　　者：拉强·珠穆玉妮 Lhachang Drukmo Yunyi

机构地区：[1]西藏大学艺术学院,拉萨850000

出　　处：《西藏研究》2024年第6期90-99,157,158,共12页Tibetan Studies

摘　　要：作为一种传统文化艺术,堆谐和囊玛展现了独特的艺术魅力,其中离不开女性艺人运用各自擅长的表演风格与特点,对其进行的传承与创新。聚焦女性艺人在传承和发展堆谐和囊玛艺术中的角色与地位,对于凸显她们在文化艺术传承中的关键作用具有重要意义。尽管传统社会中女性艺人受到一定程度的偏见,然而,这些现象从某种意义上反映了社会对女性艺人成就的认可,以及女性艺人在传统音乐传承、创新与文化延续中的深远影响。As a traditional cultural art form,Doeshay and Nangma display unique artistic charm,largely due to the contributions of female artists who use their distinctive performance styles to both inherit and innovate within the tradition.Focusing on the role and position of female artists in the inheritance and development of Doeshayand Nangma art is of significant importance in highlighting their key role in cultural and artistic transmission.Despite facing certain prejudices in traditional society,these phenomena reflect societal recognition of female artists'achievements,as well as their profound impact on the inheritance,innovation,and cultural continuity of traditional music.

关 键 词：传统音乐 女性艺人 堆谐 囊玛 

分 类 号：G63[文化科学—教育学]