重思造型艺术的文化结构与学科体系——专访潘公凯  

Rethinking the Cultural Structure and Disciplinary System of Plastic Arts—Interview with Pan Gongkai

作　　者：吴天鸽 潘公凯 Wu Tiange

机构地区：[1]不详 [2]复旦大学哲学学院

出　　处：《美术观察》2025年第1期8-14,共7页Art Observation

摘　　要：造型艺术作为公众接受度最高的艺术形式之一,其语义范畴与艺术价值的界定正面临新的挑战。为此,本刊采访了艺术家、美术理论家、美术教育家潘公凯先生,着重探讨了造型艺术的概念边界、学科结构以及审美趋向等问题。潘公凯提出,要在厘清相关词汇的来源与定义的基础上准确地使用“造型艺术”一词,以当代的、未来的视野考察和判断造型艺术在专业设置与教学体系中的发展与变化,以时代性、多元性和国际性的视野分析每一个专业背后的文化结构,具体而实际地讨论这一理论问题与学科问题。As one of the most publicly accepted art forms,the plastic arts are facing new challenges in defining the semantic scope and artistic value.For this reason,we interviewed Mr.Pan Gongkai,an artist,art theorist,and art educator,and focused on the conceptual boundaries,disciplinary structure,and aesthetic tendencies of plastic arts.Mr.Pan Gongkai suggests that the term“plastic arts”should be used accurately on the basis of clarifying the origins and definitions of the relevant terms,and that the development and changes of the plastic arts in the professional setting and teaching system should be examined and judged from a contemporary and future-oriented perspective,and that the cultural structure behind each profession should be analyzed with an epochal,pluralistic,and international vision,so as to discuss this profession in a concrete and practical way.

关 键 词：造型艺术 美术学院 审美 文化结构 现代设计 

分 类 号：J06[艺术—艺术理论]