从“超人”到“非人”:当代艺术中的后人类  

From Transhuman to Nonhuman:Posthuman in Contemporary Art

作　　者：孙天艺 Sun Tianyi

机构地区：[1]中央美术学院人文学院

出　　处：《美术观察》2025年第1期92-99,共8页Art Observation

摘　　要：20世纪90年代,随着后人类理论的兴起,这一哲学思辨与当代艺术曾产生过短暂的交汇,也促使欧美等国从艺术的角度对“人类”概念进行重新审视。在此之后,“后人类”如同一条隐性的线索,埋藏在当代艺术的发展当中。近些年,后人类主义再次成为艺术中最常被讨论的话题之一,展览亦层出不穷,其本质是对人类中心化的质疑和反思。本文所讨论的正是从20世纪90年代开始后人类艺术的发展与变化。在后人类艺术中,人类形象从增强到消失,人的主体地位逐渐后撤,出现了从“超人类”到“非人类”的理论及美学转向,其背后分别是时代所带来的技术挑战和生态挑战。In the 1990s,with the rise of the post-human theory,this philosophical discourse had a brief intersection with contemporary art.which also prompted Europe and the United States to re-examine the concept of“human”from the perspective of art,After that,“posthuman”was buried in the development of contemporary art like a recessive clue.In recent years,post-humanism has once again become one of the most frequently discussed topics in art,with numerous exhibitions,the essence of which is to question and reflect on anthropocentrism.This essay examines and explores the development of posthuman art since the 1990s.The art of posthumanism has experienced a shift from“transhuman”to“nonhuman”,with the image of human being gradually has been enhanced and disappear,and the subject status of human has gradually retreated,behind which are the technological and ecological challenges of the times respectively.

关 键 词：后人类艺术 身体 技术 非人类转向 人类世 

分 类 号：J05[艺术—艺术理论]