海外中国美术史知识生产的缺环——专访尹吉男  

The Missing Link in Overseas Chinese Art History Knowledge Production-Interview with Yin Jinanl

作　　者：吴芷璇 尹吉男[2,3] Wu Zhixuan

机构地区：[1]不详 [2]中央美术学院 [3]广州美术学院图像与历史高等研究院

出　　处：《美术观察》2025年第2期7-13,共7页Art Observation

摘　　要：中央美术学院教授、广州美术学院图像与历史高等研究院院长尹吉男在访谈中,回顾了西方以了解“世界”文明为目的开启的汉学研究到以绘画史为中心的中国美术史研究的过程。尹吉男在总结各个国家、地区中国美术史研究的基本特点和变化的基础上,强调知识生产环境的重要性,指出了海外美术史家缺乏现场感、知识生产条件不充分、中国美术史框架不完善等问题。他认为中国美术史的研究都应该从问题出发,注意文献使用和知识生成的合法性、研究方法的适用性。In the interview,Professor Yin Jinan of the Central Academy of Fine Arts and director of the Institute for Advanced Study of Image and History at the Guangzhou Academy of Fine Arts,reviewed the process from sinological research initiated in the West with the purpose of understanding"world"civilization to Chinese art history research centered on the history of painting.On the basis of summarizing the basic features and changes in the study of Chinese art history in various countries and regions,Professor Yin Jinan emphasizes the importance of the environment for knowledge production,pointing out the lack of a sense of scene for overseas art historians,the insufficient conditions for knowledge production,and the imperfect framework of Chinese art history.He believes that research of Chinese art history should start from the problems and pay attention to the legitimacy of the use of literature and knowledge production,and the applicabilityof researchmethods.

关 键 词：中国美术史 汉学 美术史研究方法 知识生成 

分 类 号：J120.9[艺术—艺术理论]