走向消失的艺术:亚洲艺术史研究中的“生态转向”与“地球转向”  

Toward the Art of Disappearing:The Ecological Turn and the Planetary Turn in Recent Studies of Asian Art

作　　者：王玉冬 Wang Yudong

机构地区：[1]澳门大学艺术与设计系,中国澳门

出　　处：《美术观察》2025年第2期17-22,共6页Art Observation

摘　　要：环境危机是人类世的标志现象之一。作为对这场危机的回应,研究亚洲艺术史的学者在大约二十年前开始书写生态艺术史。目前来看,这类研究已经构成了环境人文研究不可或缺的一部分。仔细阅读相关研究就会发现,亚洲生态艺术史书写实际上可以划分出两个阵营:一个是坚守人文主义的“解释的生态艺术史”,另一个是反人类中心论的“暗示的地球艺术史”。在根本追求与书写风格上,这两个版本的艺术史存在着本质差异。One of the hallmarks of the Anthropocene is environmental crisis.In responding to the crisis,researchers in the field of Asian art history began to write eco-art history twenty or so years ago.Now this new type of art historical writing has become an indispensable component of environmental humanities.A careful reading of the relevant studies has revealed two versions of eco-art history of Asian art.On the one hand,there is the explicative ecological art history that insists on the humanist nature of art historical writing,and on the other hand,there is the implicative planetary art history that is determined to deconstruct anthropocentrism.These two versions of art history diverge in terms of both fundamental pursuit and writing strategies.

关 键 词：生态艺术史 地球艺术史 环境人文 人类世 后人类 

分 类 号：G63[文化科学—教育学]