官乐民存——以上党现存四十余本赛社古钞本中的音乐史料为中心  

Official Music in Folk Traditions:An Analysis Based on Over 40 Editions of Shangdang Saishe Codices

作　　者：董郑峰[1] Dong Zhengfeng

机构地区：[1]长治学院音乐舞蹈系

出　　处：《中国音乐》2025年第1期78-97,共20页Chinese Music

摘　　要：官乐民存即历史上的官方用乐部分积淀并存在于民间的现象。官乐民存与官存民乐本互为辩证关系,但在国家礼、俗用乐制度下,民间各地存见的具有“高文化”属性的传统音乐活态,很大一部分是官属职业乐人创承并运用于民众礼俗社会的结果。尤其是乐籍制度解体后,这种官乐下移、积淀并衍生于民间的现象更为彰显。本文以上党发现的四十余本晚明至民国间赛社钞本中载录的传统音乐史料为中心,结合上党赛社当下活态承载的祭仪与伎乐,对乐籍制度解体前后上党传统音乐的承继与衍变情状进行一定的理论分析与阐释。The phenomenon of"official music for the folk"reflected the historical accumulation and continued existence of official music within folk traditions.The dialectical relationship between official music embedded in folk traditions and folk music influencing official traditions revealed complex interactions within China's musical history.Under the national system of ritual and casual music,traditional music with attributes of"high culture"found in folk settings often emerged from the creations and applications of professional court musicians within public ceremonies and local customs.This phenomenon became particularly prominent following the dissolution of the"Yue Ji"system,leading to the downward mobility,accumulation,and evolution of official music within folk contexts.This study examined over 40 Shangdang Saishe codices,dating from the late Ming Dynasty to the Republic of China,alongside contemporary rituals and dance music practices in Shangdang.By combining historical records with present-day living traditions,it provided a theoretical analysis of the inheritance and evolution of Shangdang's traditional music before and after the dissolution of the"Yue Ji"system.

关 键 词：官乐民存 上党赛社 赛社钞本 乐户 乐籍制度 文化下移 

分 类 号：J609.2[艺术—音乐]