形质、古拙与永恒:由康有为《广艺舟双楫》看碑学“金石气”的审美内涵  

Form,Primitive Simplicity,and Eternity:Exploring the Aesthetic Connotations of“Bold and Vital Painting Style”in Stele Studies through Kang Youwei’s Guang Yi Zhou Shuang Ji

作　　者：杨林舒 Yang Linshu(Department of Philosophy,Sun Yat-sen Uniersity,Guangzhou 510275,China)

机构地区：[1]中山大学哲学系,广东广州510275

出　　处：《黑河学院学报》2025年第1期148-150,179,共4页Journal of Heihe University

摘　　要：康有为的书学论著《广艺舟双楫》是清代碑学理论的集大成之作,其中蕴含丰富的哲学美学思想。“书卷气”与“金石气”是书学品评中的两个重要审美范畴,随着清代碑学的发展,碑学家在书学实践中更加注重对“金石气”的追求。围绕康有为《广艺舟双楫》中的碑学理论,可提炼碑学“金石气”的审美内涵,即书作具有坚韧有力的“骨”感形质与苍茫浑朴的“古拙”神采,同时是书写主体对于内在生命精神永恒感的一种追求。Kang Youwei’s calligraphic treatise,Guang Yi Zhou Shuang Ji represents the culmination of stele theory in the Qing Dynasty,encompassing a wealth of philosophical and aesthetic thoughts.The concepts of“refined and elegant painting style”and“bold and vital painting style”are two pivotal aesthetic categories in the critique of calligraphy.As stele studies evolved during the Qing Dynasty,practitioners gave increasing focus on the pursuit of the“bold and vital painting style”.From the stele theories presented in Kang Youwei’s Guang Yi Zhou Shuang Ji,one can extract the aesthetic connotations of the“bold and vital painting style”,which is characterized by the calligraphic work’s tenacious and robust“skeletal”quality and a profound,unadorned“rustic”charm.This essence also embodies the calligrapher’s quest for an eternal sense of inner vitality and spirit.

关 键 词：康有为 《广艺舟双楫》 碑学 金石气 

分 类 号：J292.2[艺术—美术]