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作 者:宋瑾 SONG Jin
出 处:《星海音乐学院学报》2023年第4期84-98,共15页Journal of Xinghai Conservatory of Music
基 金:2015年度文化部文化艺术科学研究项目《混生音乐族性的美学分析》(15DD33)阶段性成果
摘 要:(二)经济功能与价值音乐常常被当作商品,用于经济领域的盈利,或者科学利用的工具。前者历史悠久,后者主要发生在科技迅猛发展的今日社会。其一,商业用途。在中国古代,孔子就有收取学费的做法。《论语·述而》记载了孔子关于教育的一句话:“自行束脩(修)以上,吾未尝无诲焉”。解释最多的是他要求学生(初次见面时)“自行束脩以上”,意思是说,拿十余干肉来作为学费(和见面礼),我没有不教的(黄侃《论语集解义疏·卷四》、朱熹《论语集注》、郭沫若《十批判书·孔墨的批判》、杨伯峻《论语译注》等)。后来人们就把学生交给老师学费叫“束脩”。As"Hybrid music"is a mixture of different musical styles,the"new music"that com-bined Chinese and Western music,appeared in China in the early 20th century,is one of the typical examples.Within the socio-historical context,hybrid music carries unique artistic and practical functions and values.The artistic functions and values include expression(reflecting reality and ex-pressing thoughts and emotions)and presentation(sensually presenting"musical content"and"non-musical content"for aesthetic and entertainment).The practical functions and values are evi-dent in political(music for government use and moral education),economic(cultural industry and scientific applications),and cultural(new cultural construction and new national identity shaping)domains.In specific applications,hybrid music often demonstrates mixed functions and values in aesthetic and politics,as well as aesthetic and economics.In modern Chinese society,the"new music"culture gradually developed into a new tradition(revolutionary tradition)that contrasted and complemented with traditional culture,embodying distinct Chinese characteristics in globalization.
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