非人类的自主性如何成为艺术创作的焦点  

How Non-human Autonomy Becomes a Focus of Artistic Creation

作　　者：郑达 陈曦[1] Zheng Da;Chen Xi

机构地区：[1]华中师范大学美术学院

出　　处：《艺术当代》2024年第4期56-61,共6页Art China

摘　　要：本文探讨了非人类自主性如何逐步成为艺术创作的核心议题,并分析了技术革新、哲学思辨与艺术实践之间的相互作用。文章通过构建基于系统美学、行为美学等理论模型,对以非人类自主性为主题的艺术作品进行分析,揭示了这些作品在智能体行为适应性、时间性、层次性及概念性等方面的特征。此外,本文探讨了非人类自主性在艺术创作中的潜力与价值,以期加速其成为艺术创作焦点趋势的进程。This article explores how nonhuman autonomy has gradually become a core issue in artistic creation,and analyzes the interaction between technological innovation,philosophical speculation and artistic practice.By constructing theoretical models based on system aesthetics and behavioral aesthetics,this article analyzes artworks with nonhuman autonomy as the theme,revealing the characteristics of these works in terms of intelligent agent behavior adaptability,temporality,hierarchy and conceptuality.In addition,this article explores the potential and value of non-human autonomy in artistic creation,in order to accelerate its process of becoming a focus trend in artistic creation.

关 键 词：后认知主义 非人类中心主义 自主性 艺术创作 

分 类 号：G63[文化科学—教育学]