马克思主义文学反映论的综合与超越:2000—2024(上)  

Synthesis and Transcendence of Marxist Literary Reflection Theory(2000—2024)(PartⅠ)

作　　者：张永清[1] ZHANG Yongqing

机构地区：[1]中国人民大学文学院,北京100872

出　　处：《学术月刊》2025年第1期167-181,共15页Academic Monthly

基　　金：国家社会科学基金重大项目“马克思主义文学理论关键词及当代意义研究”(18ZDA275)的阶段性成果。

摘　　要：2000年至2024年是马克思主义文学反映论的“综合与超越”期。“自省与综合”“完善与超越”分别构成2000年至2009年、2010年至2024年间的阶段性特征。研究者经过对审美、意识形态、意识形式、审美意识形态等问题的论争,最终形成了文学是社会意识形态、文学是审美意识形态、文学是社会意识形式等理论命题并存的新格局;王元骧对审美反映论、审美意识形态论等问题的思考呈现出由“实践偏向”到“伦理偏向”的理论特质。这一时期的相关探究也留下了“第一原理论”“逻辑起点论”等有待解决的理论难题。From 2000 to 2024 is the"synthesis and transcendence"period of Marxist literary reflection theory."Introspection and synthesis"and"perfection and transcendence"respectively constitute the stage characteristics from 2000 to 2009 and from 2010 to 2024.After researchers'debates on issues such as aesthetics,ideology,forms of consciousness,and aesthetic ideology,a new pattern in which theoretical propositions such as literature being social ideology,literature being aesthetic ideology,and literature being social form of consciousness coexist is finally formed.Wang Yuanxiang's thinking on issues such as aesthetic relection theory and aesthetic ideology theory presents the theoretical characteristics of shifting from"practical bias"to"ethical bias".The relevant explorations in the"synthesis and transcendence"period also leave theoretical difficulties such as"the first principle theory"and"the logical starting point theory"that need to be solved.

关 键 词：马克思主义文学反映论 社会意识形态 审美意识形态 社会意识形式 

分 类 号：I0[文学—文学理论]