“巫史传统”的理性化与感性化——论中国美学自主知识体系的创构  

The Rationalization and Sentimentalization of the Tradition of Wu-Shamanism-Historiography——On the Creation and Construction of the Autonomous Knowledge System of Chinese Aesthetics

作　　者：刘悦笛[1] LIU Yuedi

机构地区：[1]中国社会科学院哲学研究所,北京100732

出　　处：《学术月刊》2025年第1期182-190,共9页Academic Monthly

摘　　要：中国美学的自主知识体系的建构,一方面须要“植根本土”,另一方面则要“走向全球”。在古今中西张力之间所形成的“巫史传统”就是这样一种独特的本土创构,它既包括理性化的一面,也包括感性化的另一面。因为中国巫性传统本然具有感性与理性的“一体两面”,而且由“巫”到“史”的发展更有赖于中国人的“实用理性”而亦离不开感性作用。“巫史传统”之所以对于中国美学而言乃是源根性的,正是由于,由巫史而发,中国美学乃是“天人合一”的美学,由此成为“一个世界”的美学;中国美学乃是“物我合一”的美学,由此成为“一个主客”的美学;中国美学乃是“情理合一”的美学,由此成为“一个文心”的美学;中国美学乃是“感行合一”的美学,由此成为“一个生活”的美学。The construction of the autonomous knowledge system of Chinese aesthetics requires both rooting in the local tradition and going global.The tradition of Wu-Shamanism-Historiography formed between ancient-modern and China-West tension is such a unique local creation,which includes both the rational side and the sentimental side.Because The tradition of Wu-Shamanism-Historiography in China naturally has one body and two sides of sensibility and rationality,and the development from Wu-Shamanism to Historiography depends more on the rationality based on human practice and cannot be separated from sensibility of Chinese people.The reason why the tradition of Wu-Shamanism-Historiography is fundamental to Chinese aesthetics is precisely because,originating from WuShamanism-Historiography,Chinese aesthetics is an aesthetics of unity of heaven and man,thus becoming the aesthetics of one-worldness;Chinese aesthetics is an aesthetics of unity of object and self,thus becoming an aesthetics of subjectivity-objectivity-unify;Chinese aesthetics is an aesthetics of unity of reason and emotion,thus becoming an aesthetics of one-mind-heart;Chinese aesthetics is an aesthetics that combines sensation and action,thus becoming the aesthetics of one-life-world.

关 键 词：巫史传统 中国美学 天人合一 物我合一 情理合一 感行合一 

分 类 号：B83[哲学宗教—美学]