乡村性的重构:中国艺术乡建的本土美学实践  

Reconstruction of Rurality: The Indigenous Aesthetic Practice of Chinese Artistic Rural Construction

作　　者：向勇[1,2] Xiang Yong(School of Arts at Peking University,Beijing,100080;Peking University Cultural Industries Research Institute,Beijing,100080)

机构地区：[1]北京大学艺术学院,北京100080 [2]北京大学文化产业研究院,北京100080

出　　处：《民族艺术研究》2025年第1期5-13,共9页Ethnic Art Studies

基　　金：2024年度全国红色基因传承研究中心年度专项课题“红色文化赋能革命老区高质量发展研究”(项目批准号:24ZXHYG09)的阶段性研究成果。

摘　　要：乡村性是乡村之所以成为乡村的空间依据和文化表征,不仅涵盖地理空间和自然生态上的物理特征,而且包括社会生活和生产实践层面的文化内涵,随着历史的变迁而呈现动态的特征。本土美学是对普遍性、同一性的超越,具有开放性、连接性和灵活性的特点。乡村本土美学实践表现为生活空间、生产空间、社会空间和生态空间的审美行动。新时代艺术乡建是对乡村性的价值重塑,是对乡村本土美学的价值塑造,是艺术介入乡村建设、乡村发展和乡村治理的创生模式。透过一系列乡村本土美学价值的生生路径,艺术乡建可以引入外部的创化机制和创意资源,激活内生的创生动力和创意主体,实现中国式现代化乡村建设的文化复兴与全面振兴。Rurality is the spatial basis and cultural representation of what makes the countryside a countryside, covering not only the physical characteristics in terms of geographic space and natural ecology, but also the cultural connotations at the level of social life and production practices, and presenting a dynamic character with the change of history. Indigenous aesthetics is a transcendence of universality and homogeneity, characterized by openness, connectivity and flexibility. The practice of indigenous aesthetics in countryside is manifested in the aesthetic actions in living space, production space, social space and ecological space. Art Rural Construction in the new era is the value reshaping of rurality, the value shaping of rural indigenous aesthetics, and the creation mode of art intervention in rural construction, rural development and rural governance. Through a series of fostering pathways of the value of indigenous aesthetics of the countryside, art rural construction introduces external creation mechanism and creative resources, activates the endogenous creation power and creative body, and realizes the rural cultural renaissance and comprehensive revitalization in Chinese modernization.

关 键 词：乡村性 本土美学 艺术乡建 生活世界 审美价值 

分 类 号：J01[艺术—艺术理论]