“有声的抗战”:街头剧的感官动员机制论析  

"Audible War of Resistance against Japanese Aggression":An Analysis of the Sensory Mobilization Mechanism in Street Theatre

作　　者：高菲 GAO Fei

机构地区：[1]乐山师范学院四川郭沫若研究中心

出　　处：《戏剧艺术》2025年第1期84-94,150,共12页Theatre Arts

摘　　要：抗战期间的街头剧实践,为探究“感官”“情感”能否定向思想、促发行动,提供了有价值的参照。街头剧“弄假成真”的“事件化”展演方式,意在通过情境性的构造,召唤身体的在场,在由“歌唱”“呼喊”“诉说”等声音技术制造的具身体验中,将听觉的呼应提升为感官的同构,继而把主体的形塑和家国共同体的命运进行有机的联结。这种独特的以“声”传“情”的感官机制(emotional regime),在“声音-听觉”的想象与实践中催生出艺术的“情动效力”(affect),最终,街头剧实践建立起一种“情动媒介”与“感官动员”相互贯通的能动过程。The street theatre practices during the War of Resistance against Japanese Aggression provide valuable insights into whether"senses"and"emotions"can direct thoughts and prompt actions.The"event-like"performance style of street theatre,which often turns fiction into reality,aims to summon the body's presence through situational construction.In the embodied experiences created by sound techniques such as singing,shouting and narrating,the auditory response is elevated into the integration of different senses.This then organically links the shaping of the subject with the fate of the national community.This unique emotional regime,which transmits"emotion"through"sound",generates artistic affect in the imagination and practice of"soundhearing".Ultimately,street theatre practices establish an active process that integrates an"affective medium"with"sensory mobilization".

关 键 词：街头剧 事件化 感官 情感 听觉动员 

分 类 号：J80[艺术—戏剧戏曲]