文学作品中人物话语表达方式的翻译——以《红高粱家族》日译本为例  

Translation of Characters'Discourse Expressions in Literary Works-Taking the Japanese Translation of Red Sorghum as an Example

作　　者：段洵美 马小兵[1] Duan Xunmei;Ma Xiaobing(Peking University,China)

机构地区：[1]北京大学外国语学院

出　　处：《日语学习与研究》2025年第1期33-41,共9页Journal of Japanese Language Study and Research

摘　　要：人物的话语和思想是文学作品塑造人物形象的重要组成部分,人物话语表达方式兼具审美意义与主旨意义。然而,以往的研究对于话语表达方式在翻译过程中发生改变的原因尚未作出充分探讨。本研究在明确何为“受限”与“选择”的基础上,通过以《红高粱家族》日译本为例,发现语言系统差异会制约形式的翻译,但这些限制的约束力强度有所不同,决定了译者可以在多大程度上发挥主体意识。当外界因素改变而改写方式不变时,属于受限于语言系统差异作出的强制性转换,而外界因素保持不变、单一文本内部出现不同呈现方式,则很有可能是译者主观意志下的选择。在文学翻译过程中,能否基于译入语的语言系统适当发挥译者主体作用、在原作内涵的延长线上构建起新的文学性,决定了民族文学能否发展成为世界文学。The discourse and thoughts of characters are crucial elements in shaping characters in literary works.The way characters express their discourse has both aesthetic and thematic significance.However,previous studies have not fully explored the reasons why discourse expression changes during the translation process.On the basis of clarifying what"servitude"and"option"are,by taking the Japanese translation of Red Sorghum as an example,it is found that differences in language systems will restrict the translation of forms,but the strength of these restrictions varies,which determines to what extent the translator can exercise his or her subjective consciousness.When external factors change and the way the translation is rewritten remains unchanged,it is a compulsory conversion restricted by differences in language systems.When external factors remain unchanged and different presentation methods appear within a single text,it means that it is a choice made under the translator's subjective will.In the process of literary translation,whether the translator can properly play the role of the subject based on the language system of the target language and construct a new literary quality on the extension of the original content determines whether national literature can develop into world literature.

关 键 词：人物话语表达方式 受限与选择 红高粱家族 汉日翻译 

分 类 号：H36[语言文字—日语] I046[文学—文学理论]