文化遗产学的新范式  

A New Paradigm of Cultural Heritage Studies

作　　者：徐苏斌[1] 涂颖佳 青木信夫[1] 付宇煊 孙兆君 赵敏君 XU Subin;TU Yingjia;AOKI Nobuo;FU Yuxuan;SUN Zhaojun;ZHAO Minjun

机构地区：[1]天津大学建筑学院,天津大学中国文化遗产保护国际研究中心,天津300074

出　　处：《新建筑》2025年第1期25-30,共6页New Architecture

基　　金：国家社会科学基金艺术学重大课题(21ZD01)。

摘　　要：文化遗产学作为一个领域的理论基础与发展方向,聚焦其新范式构建,既有迫切性和必要性,也面临诸多挑战。基于托马斯·库恩的范式理论及其在自然科学与社会科学中的不同适用性,文章分析了文化遗产学在学科综合与社会需求驱动下的发展特征,并结合我国的文化遗产科学共同体的共识与20世纪以来的科学哲学发展,建立了一个较为合理的文化遗产学概念框架。这一框架范式转化的目标从学科细分转变为学科综合,因此文化遗产学新范式并非形成一个新的学科,而是形成一个文化遗产保护实践与知识生产的平台,从而协助科学共同体跨越学科边界建立合作,获得新视角、新知识,从而完善实践。This article examines the theoretical foundations and developmental trajectory of Cultural Heritage Studies,with an emphasis on the necessity and challenges of establishing a new paradigm.Drawing on Thomas S.Kuhn’s paradigm theory and its varying applicability to both natural and social sciences,the article investigates the characteristics of Cultural Heritage Studies,which are shaped by interdisciplinarity and societal demands.By incorporating the consensus within China’s cultural heritage scientific community and advancements in the philosophy of science since the 20th century,this article proposes a conceptual framework for Cultural Heritage Studies.This framework shifts the paradigm’s objectives from disciplinary segmentation to interdisciplinarity.The article concludes that the emerging paradigm of Cultural Heritage Studies should not aim to establish a new discipline,but rather to develop a structural platform that guides cultural heritage conservation practices and knowledge production.This framework aims to enable the scientific community to transcend disciplinary boundaries,promote collaboration,and generate new perspectives and knowledge,thereby advancing practices in cultural heritage conservation.

关 键 词：文化遗产学 范式 科学共同体 价值体系 跨学科理论 

分 类 号：TU-0[建筑科学—建筑理论] K85[历史地理—考古学及博物馆学]