跨文化美学视域下魏禧壮美观再探究  

A Re-Examination of Wei Xi's Notion of Magnificence in the Context of Intercultural Aesthetics

作　　者：黎林 Li Lin

机构地区：[1]南京大学艺术学院,南京210093

出　　处：《中国文学批评》2025年第1期116-125,160,共11页Chinese Journal of Literary Criticism

摘　　要：在跨文化美学的语境中可以发现,魏禧的壮美观从个体的感官、心理体验着手,揭示人类情感共通性的同时,又突出了中国文化系统内对气的推崇,在突破个体局限性中,在天人合一的境界中实现超越。其壮美观的背后交织着中国地理、历史和文化的复杂因素。可以说,无论是对审美主体心理和感官反应的描述,还是对审美对象的分析,魏禧的壮美观比之伯克的崇高论都毫不逊色。但以西方崇高概念的演进为观照,不难发现魏禧的壮美观并未出现类似的生发性和当下性。通过两者的比较可知,对美学的构建需要良好的继承传统,需要不同时代的美学家、思想家和批评家结合时代的社会和文艺新问题、新现象,对传统美学中的核心范畴加以改造,同时与当代哲学、美学概念相联系,从而形成系统的阐释并开掘传统美学思想的当下性,构建新时代中国文艺理论的自主性。In the context of intercultural aesthetics,Wei Xi's notion of magnificence starts from the individual's sensory and psychological experience,which not only contains the revelation of the commonality of human emotions,but also highlights the reverence for qi in the Chinese cultural system,revealing that the subject breaks through the individual's limitations and realizes the transcendence in the realm of unity of heaven and human beings.The complexities of Chinese geography,history and culture are interwoven behind the notion.Wei Xi's notion of magnificence is no less impressive than Burke's theory of the sublime in terms of the description of the psychological and sensory responses of the aesthetic subject or the analysis of the aesthetic object.However,in the light of the contemporary development of the Western concept of the sublime,it is not difficult to find that Wei Xi's notion of magnificence does not keep up with the times.By contrast,the promotion of traditional aesthetics requires the establishment of a good inheritance tradition and the transformation of the core categories of traditional aesthetics by aestheticians,thinkers and critics of different times,taking into account the new problems and phenomena of society and literature and art in the spotlight of the times.At the same time,it is associated with the concepts of contemporary philosophy and aesthetics to form a complete systematic interpretation,so as to give full play to the contemporary nature of traditional aesthetics and to construct the autonomy of Chinese literature and art theories in the new era.

关 键 词：跨文化美学 魏禧 壮美 崇高 

分 类 号：G63[文化科学—教育学]