加强文论自信 建设文化强国——中国20世纪80年代以来文艺批评的“范式”研究  

Strengthen Literary Theory Confidence and Build a Cultural Power——A Study on the"Paradigm"of Chinese Literary Criticism Since the 1980s

作　　者：刘巍[1] 宋梓祎 LIU Wei;SONG Ziyi(School of Literature,Liaoning University,Shenyang 110036,China)

机构地区：[1]辽宁大学文学院,辽宁沈阳110036

出　　处：《辽宁大学学报(哲学社会科学版)》2025年第1期116-123,共8页Journal of Liaoning University(Philosophy and Social Sciences)

基　　金：国家社会科学基金重大项目“文学理论中国范式研究”(19ZDA266);辽宁省社会科学规划基金重点项目“新时代文艺批评标准之新变”(L21AZW001)。

摘　　要：文章以20世纪80年代以来作为时间范畴,坚持问题导向、实践导向、目标导向相统一。“主体构入”“问题提领”“面向世界、面向未来”是中国文艺批评“范式”研究的几个主要实践,文章以此建构中国20世纪80年代以来的文艺批评“范式”,以文艺批评的发展推动文艺理论发展,进而深化文化体制改革,建设文化强国,在国际文艺理论界发出中国声音。The paper takes the period from the 1980s onwards as its time span,adhering to the unified principles of problem orientation,practice orientation,and goal orientation.The"subject incorporation,""problem elucidation,"and"facing the world and the future"are the main practices in the"paradigm"research of Chinese literary criticism.The paper uses these practices to construct the literary criticism"paradigm"of China since the 1980s,thereby driving the development of literary theory by means of the development of literary criticism to deepen cultural system reform,build a cultural power and contribute Chinese voices to the international community of literary theory.

关 键 词：范式研究 主体构入 中国文艺批评 文化体制改革 

分 类 号：I0[文学—文学理论]