“事”的合乎情理性──以金圣叹评点《水浒传》为例  

The Rationality of“Events”-Taking Jin Shengtan’s Commentary on“Water Margin”As An Example

作　　者：张迎 张蓝草 乔岳 ZHANG-ying;ZHANG Lan-cao;QIAO-yue(School of Chinese Language and Literature,Shandong Normal University,Jinan,250000;School of Chinese Language and Literature,Ningxia Normal University,Guyuan,756000;School of Chinese Language and Literature,Qufu Normal University,Qufu,273165)

机构地区：[1]山东师范大学文学院,山东济南250000 [2]宁夏师范大学文学院,宁夏固原756000 [3]曲阜师范大学文学院,山东曲阜273165

出　　处：《湖北工业职业技术学院学报》2025年第1期35-42,共8页Journal of Hubei Industrial Polytechnic

摘　　要：金批《水浒》的诸多评点,无不体现出金圣叹对小说艺术创作原则的独特理解,其中,他对小说创作艺术真实性方面的认识尤为引人注目。具言之,这承载着金氏对小说中“事”(故事情节)的合乎情理性的深刻体悟。这主要表现在两大方面,即人物性格变化需合情合理、神异情节铺设主要为满足小说结构布局与人物刻划的现实创作要求而服务。Jin Shengtan’s numerous commentaries on“Water Margin”all reflect his unique understanding of the principles of fictional artistic creation.Among them,his insights into the artistic authenticity of novel creation are particularly noteworthy.Specifically,this embodies Jin’s profound comprehension of the rationality of“events”(storylines)in novels.This is mainly manifested in two aspects:the changes in characters’personalities to be reasonable and plausible,and the incorporation of mystical plots to serve the practical creative requirements of the novel’s structural layout and character portrayal.he changes in characters’personalities need to be reasonable and plausible,and the incorporation of mystical plots primarily serves the practical creative requirements of the novel’s structural layout and character portrayal.

关 键 词：金圣叹 评点 水浒传 情理性 

分 类 号：I206.09[文学—中国文学]