卢卡奇艺术自为思想研究  

A study on Lukács’s art for-itself thought

作　　者：李进书[1] Li Jinshu(College of Literature,Hebei University,Baoding 071002,China)

机构地区：[1]河北大学文学院,河北保定071002

出　　处：《辽宁师范大学学报(社会科学版)》2025年第2期24-31,共8页Journal of Liaoning Normal University(Social Science Edition)

基　　金：教育部哲学社会科学研究重大专项项目“西方理论话语的冲击与新时期以来中国当代文论的建构”(2024JZDZ047)。

摘　　要：在现代美学艺术自主观念的形成过程中,卢卡奇的艺术自为理论具有一种奠基石的作用。卢卡奇指出,虽然不同艺术形式具有各自的表达方式,但是它们整体地凸显了一种同质媒介,通过这种同质媒介方式,艺术形成了对世界的一种独立探究。艺术自为理念能够具体到每个单子作品上,这些作品体现着创造者的自我意识,展现着作品的具世性。每个自为的作品都属于真正的艺术作品,它们以陶冶形式提升着个体的认识,实施着审美解放,进而使人类获得更大程度上的现实自由。卢卡奇的艺术自为概念是很多理论家所使用的艺术自主理念的雏形,他的艺术伦理思想对现代美学的发展有着不可忽视的影响力。In the formation of autonomy of art in modern aesthetics,Lukács’s art for-itself theory plays a cornerstone role.Lukács pointed out that each form of art has its own way to express,but they highlight a homogene medium as a whole,and by virtue of the homogene medium art makes an independent exploration on the world.The idea of art for-itself can concrete to each of monad work and they reflect the creators’self-consciousness and show Welthaftigkeit of work.Each of for-itself work is real artwork,which enhances individual’s understanding in terms of catharsis,implement aesthetic emancipation,and then enable human to obtain a greater degree of realistic freedom.Lukács’s art for-itself is embryonic form of many theorists’autonomy conception of art.His artistic ethics thought has an undeniable influence to development of modern aesthetics.

关 键 词：卢卡奇 自为 真正的艺术 单子 陶冶 

分 类 号：I06[文学—文学理论]