“审美宽恕”:后真相时代的异己共同体想象  

“Aesthetic Pardon”:Building Community of Otherness in the Post-truth Era

作　　者：李昀[1] LI Yun

机构地区：[1]华南理工大学外国语学院

出　　处：《广东外语外贸大学学报》2024年第6期68-77,共10页Journal of Guangdong University of Foreign Studies

基　　金：国家社会科学基金项目“现实观照下国际难民文学的伦理学批评研究”(19BWW088)

摘　　要：如何在后真相时代想象人类共同体?法国文论家克里斯蒂娃给出的答案是“审美宽恕”。她认为在后真相时代,欧洲的符码消费阻碍主体遭遇本真他异性,使之丧失象征功能和文化反叛能力,陷入群体抑郁。于是她从早期的审美返叛转向审美宽恕、互文性转向互主体性、他异性书写转向异己共同体构建,把文学重新定义为“主体”间的对话,在对话中“理解”和“宽恕”彼此的他异性,形成互主体的异己。克氏也由此呼吁欧洲超越现代政治的贫困,超越基于排他主义的民族国家和公民身份想象,倾听、承认和呈现自己内部的异己性,与其他民族一起,进入由相互理解的异己组成的人类共同体。How to imagine a cosmopolitan human community in the post-truth era?The answer given by Julia Kristeva is“aesthetic pardon”.She believes that in post-truth Europe,sign consumerism prevents the subject from encountering genuine otherness,resulting in the loss of his symbolic function and cultural revolt.She thus shifts from aesthetic revolt to aesthetic pardon,from intertextuality to intersubjectivity,and from heterogenous writing to community building,to redefine literature as a dialogue.In this dialogism,the speaker and the reader“understand”and“pardon”each other's otherness,forming a/an(inter)subjectivity of otherness.Kristeva thus calls upon“Europe”to transcend the exclusivism of nation-state and citizenship,to listen to,recognize,and present its internal otherness,and to enter a future community of“others”.

关 键 词：异己 共同体 后真相 审美宽恕 

分 类 号：I06[文学—文学理论]