以身体美学理论为基石的美学建构——《陕北民歌的审美维度与文化价值研究》读后  

An aesthetic construction based on the theory of body aesthetics—“Research on the Aesthetic Dimension and Cultural Value of North⁃ern Shaanxi Folk Songs”after reading

作　　者：王娜 申朝晖[1] Na WANG;Zhaohui SHEN(Yan'an University)

机构地区：[1]延安大学文学院

出　　处：《马克思主义美学研究》2024年第2期330-341,406,共13页Research on Marxist Aesthetics

基　　金：中国文学艺术基金会、中国文学艺术发展专项基金资助

摘　　要：《陕北民歌的审美维度与文化价值研究》从现代身体美学理论出发,对陕北民歌的社会功能和美学价值进行了研究。该书立足于中国审美人类学学科发展前沿,以“民歌的美究竟来自何处”这一问题为理论起点,以田野调查为方法路径,注重挖掘陕北地区民间文艺的知识生产特质。在对中国特有的身体性审美经验进行阐释的基础上,探讨了具有人类学意义的陕北民歌的审美维度与文化价值,为陕北民歌的保护与发展提供了新的视角,也对中国文化话语体系建设和中国经验的探讨进行了重要尝试。“The Aesthetic Dimension and Cultural Value of Folk Songs in Northern Shaanxi”explores the social function and aesthetic value of folk songs in Northern Shaanxi,drawing on modern body aesthetics theory.This book is grounded in the forefront of Chinese aesthetic an⁃thropology,using a theoretical framework centered around the question of where the beauty of folk songs originates from.Through field surveys and an emphasis on the knowledge production characteristics specific to folk literature and art in Northern Shaanxi,it examines the cultural value and anthropologically significant aesthetic dimension of these songs.By doing so,it of⁃fers a fresh perspective for both preserving and developing folk songs in this region while con⁃tributing to the construction of China's cultural discourse system as well as discussions sur⁃rounding Chinese experiences.

关 键 词：狂欢 身体美学 审美意识形态 

分 类 号：J607[艺术—音乐] B83-0[哲学宗教—美学]