从介入到参与——艺术介入社会的中国本土化实践  

From"Engaged"to"Participatory":Localized Practices of Art Intervention in Society in China

作　　者：段少锋 DUAN Shaofeng

机构地区：[1]天津美术学院 [2]中央美术学院 [3]中华文化艺术发展促进会当代艺术院 [4]清华大学奥林匹克艺术研究中心

出　　处：《当代美术家》2025年第2期109-124,共16页Contemporary Artists

摘　　要：本文以介入性和参与性艺术在中国近现代的独特性语境中的实践为基础,通过对中国介入性艺术发展的复杂前提进行分析,结合20世纪80年代以来的艺术家群体实践以及个体实践,探讨当前中国艺术界中的介入性艺术和参与性艺术。同时考虑中国本土艺术介入社会项目中,作品从介入到参与的跨越,结合今天新的技术语境和国家政策与意志,以及越来越多的社会因素对于艺术的主动反向介入,本文也表达了对于介入性艺术在中国未来艺术生态中趋于消失的可能性判断。This article is based on the practice of interventional and participatory art in the unique context of modern China.By analyzing the complex prerequisites for the development of interventional art in China,and combining the collective practice of artists and individual events since the 1980s,it explores the current interventional and participatory art in the Chinese art world.At the same time,it also considers the leap from intervention to participation in social projects and works of Chinese local art,combined with today's new technological context and national policies and wills,as well as the increasing active and reverse intervention of social factors in art.This article also expresses the possibility of the disappearance of interventional art in China's future art ecology.

关 键 词：介入性 参与性 当代艺术 乡村建设 本土 

分 类 号：J05[艺术—艺术理论] J0