中国传统文化符号在国产游戏中的转化研究  

Research on the Transformation of Chinese Traditional Cultural Symbol in Domestic Game

作　　者：郑心妍 ZHENG Xinyan(Zhejiang Gongshang University,Hangzhou 310018,Zhejiang,China)

机构地区：[1]浙江工商大学,浙江杭州310018

出　　处：《玩具世界》2025年第2期13-17,共5页Toys World

摘　　要：中国传统文化符号蕴含着丰富的象征意义和深厚的美学内涵,而游戏作为第九艺术广受认可。文章基于中国美学思想,以《黑神话:悟空》为例,探讨中国传统文化符号在国产游戏中的转化方法及转化过程中存在的主要问题,包括技术垄断下的风格同化、西学东渐下的玩家异化、游戏乌托邦的幻想破灭等,并提出了创新性解决方案。这一研究有助于提升国产游戏设计的品质和文化认同性,增强中国文化在游戏领域的影响力和传播效果,同时对中国传统文化符号的传承与发展具有重要意义。Chinese traditional cultural symbols contain rich symbolic meanings and profound aesthetic connotation,and games are widely recognized as the ninth art.Based on Chinese aesthetic thoughts,this paper takes Black Myth:Wukong as an example to explore the transformation methods of Chinese traditional cultural symbols in domestic games and the main problems existing in the transformation process,including the style assimilation under the technological monopoly,the alienation of players under the Western Learning Spreading to the East,and the disillusionment of utopia in games,and puts forward innovative solutions.This research helps to improve the quality and cultural identity of domestic game design,enhance the influence and communication effect of Chinese culture in the field of games,and is of great significance to the inheritance and development of Chinese traditional cultural symbols.

关 键 词：中国传统文化符号 国产游戏 文化载体 符号转化 游戏艺术 

分 类 号：G899[文化科学—体育学] G206.2G122