当代公共艺术中纪念碑和纪念性作品的女性主义视角  

Feminist Perspectives on Monuments and Memorials in Contemporary Public Art

作　　者： 喻萍(译) Jen Krava;Yu Ping

机构地区：[1]不详

出　　处：《公共艺术》2025年第1期60-67,共8页Public Art

摘　　要：近年来,围绕纪念碑和纪念性作品的讨论发生了重大转变,反映出人们越来越意识到公共艺术需要包容性和代表性。随着女性主义艺术家和学者挑战传统叙事,她们主张重新审视如何纪念历史以及这些叙事中应该包括哪些人。本文探讨了当代女性主义对纪念碑和纪念性作品的看法,探讨了纪念碑和纪念性作品对公共记忆的影响以及社会变革的潜能。本文将深入探讨纪念碑的历史背景,探讨它们是如何被用来强化权力结构和社会规范的。本文还强调女性主义艺术运动在挑战这些叙事和通过创新方法重新定义公共记忆方面的作用。此外,本文还将研究最近的公共艺术项目,以展示为打造包容性纪念碑而做出的持续努力,这些纪念性作品展现了人类丰富多彩的体验。最后,本文旨在阐明女性主义视角在重塑我们对当代公共艺术中纪念碑和纪念性作品的理解。The discourse surrounding monuments and memorials has undergone significant transformation in recent years,reflecting a growing awareness of the need for inclusivity and representation in public art.As feminist artists and scholars challenge traditional narratives,they advocate for a reexamination of how history is commemorated and who is included in these narratives.This article explores contemporary feminist perspectives on monuments and memorials,examining their implications for public memory and the potential for social change.This article will delve deeper into the historical context of monuments,exploring how they have been used to reinforce power structures and societal norms.It will then highlight the role of feminist art movements in challenging these narratives and redefining public memory through innovative approaches.Furthermore,recent public art projects will be examined to showcase the ongoing efforts to create inclusive memorials that reflect the rich tapestry of human experiences.Ultimately,this article aims to illuminate the transformative potential of feminist perspectives in reshaping our understanding of monuments and memorials in contemporary public art.

关 键 词：公共艺术 女性主义视角 纪念碑 纪念性作品 

分 类 号：J0[艺术—艺术理论]