现代服饰设计中闽台髹漆技艺的运用研究  

A Study on the Application of Fujian and Taiwan lacquer Painting Techniques in Modern Dress Design

作　　者：李充和[1] Li Chonghe(Fuzhou Institute of Foreign Studies,Fuzhou 350202,China)

机构地区：[1]福州外语外贸学院,福建福州350202

出　　处：《黑河学院学报》2025年第3期156-159,共4页Journal of Heihe University

基　　金：中青年教师教育科研项目(科技类)“闽台髹漆技艺在现代服饰中的文化传承与实际应用”(JAT210548)。

摘　　要：髹漆技艺是我国传统工艺的重要组成部分,传承至今已有数千年之久。闽台地区是我国传统四大髹漆技艺区域之一,其中福州地区的脱胎漆器更是被视为我国传统工艺的“三宝”之一。闽台髹漆技艺与现代服饰设计相结合不仅可以为我国现代服装设计注入更多的灵感和创意选择,更可以有效地解决我国传统闽台髹漆技艺的传承问题,为我国传统闽台髹漆技艺寻找到更多更符合于现代社会需求的传承方式。The lacquer painting technique,an important part of traditional technology in our country,has been handed down for thousands of years.Fujian and Taiwan areas are one of the four traditional lacquer art areas in China,among which Fuzhou area bodiless lacquerware is regarded as one of the“three treasures”of our traditional craft.The combination of Fujian and Taiwan lacquer art and modern costume design can inject more inspiration and creative choice into our country's modern costume design,effectively solve the problem of inheriting our traditional Fujian and Taiwan lacquer art,and find more inheritance methods that are more in line with the needs of modern society for our traditional painting techniques.

关 键 词：闽台髹漆技术 服饰设计 传统文化 

分 类 号：TS664.05[轻工技术与工程]