诗髓说:翁方纲的理论互文与清代前中期诗学演进  

Shisui Shuo:Weng Fanggang’s Theoretical Intertextuality and the Evolution of Poetics in the Early and Middle Qing Dynasty

作　　者：宋子乔 Song Ziqiao

机构地区：[1]浙江省社会科学院

出　　处：《江海学刊》2025年第2期243-254,256,共13页Jianghai Academic Journal

摘　　要：翁方纲是清代诗学思想史中的重要人物,过往研究多集中于其“肌理”说,而“诗髓”说在其诗学与艺术思想中同样占据十分重要的位置。翁方纲曾在《诗髓说》《渔洋诗髓论》以及别集中多次对“诗髓”概念进行阐释,借此讨论诗歌的本质、创作、风格等话题。这种理论体系的形成受到清代前中期政治氛围与诗学思想的影响,体现出对性情诗学、“温柔敦厚”说、“神韵”说等观念的继承与演变,呈现出清人对宋代诗学思想的观照,由此展示出清代前中期诗学流变的脉络与路径。“诗髓”与“肌理”互为表里,相辅相成,形成了一种有趣的理论互文,指向翁方纲诗学思想中的“性情”“诗境”“事境”等多个诗学范畴,共同构成翁方纲思想框架的整体面貌。As a pivotal figure in the intellectual history of Qing Dynasty poetics,Weng Fanggang’s concept of“Shisui”occupies a significant position similar to“Jili”within his poetic philosophy.Weng extensively elaborated on the notion of“Shisui”to discuss the poetic essence,creative process,and stylistic manifestations.Its formation reflects the politics and poetic ideologies prevalent during the early and mid-Qing periods and reveals Qing scholars’observation of Song Dynast poetics,thereby illuminating the developmental trajectory of poetics in this period.Functioning as complementary dimensions,“Shisui”and“Jili”create a compelling theoretical intertextuality,ultimately constituting the comprehensive framework of Weng Fanggang’s intellectual legacy.

关 键 词：翁方纲 诗髓说 肌理说 互文 诗境 事境 

分 类 号：I207.2[文学—中国文学] I207.22