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作 者:包艳杰 BAO Yan-jie
机构地区:[1]青岛农业大学,山东青岛266109
出 处:《青海民族研究》2025年第1期134-142,共9页Qinghai Journal of Ethnology
基 金:山东省社会科学规划文化旅游研究专项“以山东农业文化遗产为旅游吸引物构建互惠型乡村旅游发展模式”(批准号:21CLYJ20);青岛农业大学高层次人才科研基金项目“山东红色文化资源与乡村社会研究”(批准号:20210017)阶段性成果。
摘 要:花卉是自然环境中季相变化最为丰富和显著的植物,藉由花卉产生的时间感知是维系人们对生存空间产生集体认同的关键。屈大均在《广东新语》中关于花卉的文本书写集中反映明清时期岭南农民和文人的花卉时间感,不同群体的生境差异产生时间感分化,农民的时间感是基于物质生活的周期性感知,追求循环中的安稳,而文人的感知则凝聚历史文化传承,表达一种更为积极且不断发展着的永恒感。但是,两者的时间感在追求人与自然和谐共生的意义上达成一致,这是岭南文化乃至中国优秀传统文化的精华要义,在这一点上,《广东新语》中呈现出群体分异化时间感区别于赫茨菲尔德(Michael Herzfeld)提出的“社会时间”和“纪念碑时间”二元论理论框架。这种以自然为中介的时间统合模式,是反思赫茨菲尔德理论的西方中心局限重要的跨文化参照系,也为中国现代园林景观设计提供突破西方园林几何透视原则局限的历史底蕴和美学指导。Flowers are the plants with the most abundant and significant seasonal changes in the natural environment,and the perception of time generated by flowers is the key to maintaining people′s collective identity with their living space.Qu Dajun′s textual writing on flowers in Guangdong Xin Yu reflects the temporal sense of flowers among farmers and literati during the Ming and Qing dynasties.The differences in habitat among different groups lead to temporal differentiation.Farmers′temporal sense is based on the cyclical perception of material life,pursuing stability in the cycle,while literati′s perception embodies historical and cultural inheritance,expressing a more positive and constantly developing sense of eternity.However,through the perception of time through flowers,farmers and literati have reached a consensus on the pursuit of harmony and unity between humans and nature,this is also the essence of Lingnan culture and even China′s excellent traditional culture.in this regard,the group differentiated sense of time in Guangdong Xin Yu is different from the dualistic theoretical framework of"social time"and"monument time"proposed by Michael Herzfeld.This time integration model mediated by nature provides an important cross-cultural reference frame for reflecting on the Western centric limitations of Hertzfeld′s theory.It also provides historical and aesthetic guidance for breaking through the limitations of Western geometric perspective principles in modern Chinese landscape design.
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