当代中国重彩画创作形式引入大学设计基础课堂的创新实践研究——以视觉传达设计课程为例  

An Innovative Practice Study on the Introduction of Contemporary Chinese Heavy-Color Painting into University Design Basic Class—a Case Study of Visual Communication Design Course

作　　者：陈文锋 CHEN Wen-feng(Guangzhou Institute of Technology,School of Art Design,Guangzhou 516000,China)

机构地区：[1]广州理工学院艺术设计学院,广东广州516000

出　　处：《绿色包装》2025年第2期82-84,88,共4页Green Packaging

摘　　要：重彩画作为中国艺术的重要形式,融合了传统文化和现代技法,具有鲜明的色彩表现力、独特的构图方式及材料运用。本研究内容包括重彩画在构图与构型创新、色彩运用的韵味及材料拓展上的独特表现。通过分析这些元素,提出将其引入设计基础课程,以拓宽学生的艺术视野,提升他们的创作思维与设计能力。重彩画的色彩搭配、构图技巧与材质探索为设计教学提供了新的方法和灵感,能够帮助学生在构思与实践中更加注重视觉表达、形式创新与材料应用,从而增强其综合艺术素养和创造力。As an important form of Chinese art,heavy color painting integrates traditional culture and modern techniques,with distinctive color expression,unique composition and material application.The content of this study includes the unique expression of heavy color painting in composition and configuration innovation,color use charm and material expansion.Through the analysis of these elements,it is proposed to introduce them into the basic course of design in order to broaden students’artistic vision and enhance their creative thinking and design ability.The color matching,composition skills and material exploration of heavy color painting provide new methods and inspiration for design teaching,which can help students pay more attention to visual expression,form innovation and material application in conception and practice,so as to enhance their comprehensive artistic quality and creativity.

关 键 词：中国重彩画 设计基础教学 创新实践 

分 类 号：G42[文化科学—课程与教学论]