符号学视域下电影戏服设计的表意功能研究——以《绣春刀》系列为例  

A Study on the Signifying Function of Film Costume Design from the Perspective of Semiotics:Taking the Brotherhoodof Blades Film Seriesas Examples

作　　者：阮若曦 RUAN Ruoxi(China Film Art Research Center,Beijing 100082,China)

机构地区：[1]中国电影艺术研究中心,北京100082

出　　处：《西部皮革》2025年第6期144-147,共4页West Leather

摘　　要：戏服设计作为电影视听语言的重要组成部分,通过符号化的视觉元素传递深层表意功能。文章以符号学理论为框架,结合《绣春刀》系列电影内容及其人物服装的视觉表达,探讨了戏服作为视觉符号的表意功能。研究发现,戏服通过纹样、冠帽等具象化符号,形成权力等级与身份区隔的视觉隐喻;戏服材质与色彩的差异化设计外化了角色性格矛盾;戏服与叙事情境联动,推动剧情转折并强化主题表达。研究表明,戏服设计不仅是美学呈现,更是权力结构、角色心理与叙事逻辑的视觉化载体。此研究为电影符号学与服装设计的跨学科研究提供了新视角,对历史题材电影的创作实践具有借鉴意义。As a critical component of cinematic audiovisual language,costume design conveys profound semiotic functions through symbolic visual elements.Framed by semiotic theory and analyzing the Brotherhood of Blades film series,this article investigates the signifying role of costumes as visual symbols.The study reveals that costumes employ concrete symbols such as patterns and headwear to construct visual metaphors of hierarchical power structures and social identities.Differentiated material and color designs externalize characters' psychological conflicts,while the interplay between costumes and narrative contexts drives plot progression and reinforces thematic expression.Findings demonstrate that costume design transcends aesthetic presentation to visually encode power dynamics,character psychology,and narrative logic.This research offers new perspectives for interdisciplinary studies in film semiotics and costume design,providing practical insights for historical film production.

关 键 词：戏服设计 表意功能 符号学 权力象征 视觉叙事 《绣春刀》 

分 类 号：TS941[轻工技术与工程—服装设计与工程]