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作 者:颜景旺 YAN Jingwang(School of Arts and Design,Yanshan University,Qinhuangdao,Hebei 066004,China)
机构地区:[1]燕山大学艺术与设计学院,河北秦皇岛066004
出 处:《贵州大学学报(艺术版)》2025年第2期20-28,共9页Journal of Guizhou University Art Edition
基 金:2023年度国家社科基金艺术学青年项目“当代中国艺术史理论体系建构研究”(项目编号:23CA172)。
摘 要:2024年,艺术史研究与时代主题形成双向互动:一是艺术史理论在反思成说、探索史观的基础上,努力深挖传统史论资源,注重话语体系建构,产生诸多创建;二是重思艺术史书写观念,旨在打破西方中心主义语境,致力探索具有民族文化特色的书写路径;三是通过对艺术史家思想和方法论的阐释,从个案角度不断充实了艺术史学的理论与方法论体系;四是其他热点专题立足往年热度,不断纵深开掘,成果丰硕。Studies of art history in 2024 have engaged with contemporary themes in an interactive manner.Firstly,the theories of art history have delved deep into traditional sources with a focus on the systematic construction of intellectual discourse and many innovations have been achieved by reflecting on the established views on art history and the exploration of historical perspectives.Secondly,they have reexamined the writing of art history,aiming to break the context of Western centralism with an endeavor to explore distinctive writing paths with national cultural characteristics.Thirdly,they have enriched the theoretical and methodological systems of art history with case analyses by elucidating the thoughts and methodology of art historians.And lastly,they have continued to delve deeper into the hot research topics based on their popularity of the previous years,which have yielded fruitful results.
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