期待与接受:数字化舞台美术的召唤作用  

Expectation and Reception:The Summoning Role of Digital Stage Design

作　　者：宋牧原 Song Muyuan(Shanghai Theatre Academy,Shanghai 201112)

机构地区：[1]上海戏剧学院,上海201112

出　　处：《新疆艺术学院学报》2025年第1期21-28,共8页Journal of Xinjiang Arts University

摘　　要：随着日常生活中的数字技术革新,在观演艺术数字化转型的背景下,舞台美术的发展面临新的挑战和机遇。本文借用接受美学中“召唤结构”的理论概念,聚焦当下数字演艺的发展状况,以观众的审美期待和接受为中心,探讨数字化舞美在戏剧的接受结构中起到的作用,探究其发生作用的机制及效果。With the innovation of digital technology in daily life and the digital transformation of performing arts,stage design faces new challenges and opportunities.Drawing on the theoretical concept of"summoning structure"from reception aesthetics,this paper focuses on the current state of digital performance,centering on the audience's aesthetic expectations and reception.It explores the role of digital stage design in the reception structure of theater,investigating its mechanisms and effects.

关 键 词：数字化舞台美术 召唤结构 召唤作用 数字戏剧 接受美学 

分 类 号：J813[艺术—戏剧戏曲]