父权神像的坍塌与亲情脉络的重续——朱自清《背影》新解  

The Collapse of Patriarchal Statues and the Continuation of Familial Bonds:A New Interpretation of ZHU Ziqing’s Prose The Sight of Father’s Back

作　　者：李宗刚[1] LI Zonggang(School of Literature,Shandong Normal University,Jinan 250014,China)

机构地区：[1]山东师范大学文学院,山东济南250014

出　　处：《山西大学学报(哲学社会科学版)》2025年第2期82-89,共8页Journal of Shanxi University(Philosophy and Social Science Edition)

基　　金：国家社科基金一般项目“共和国教育与中国当代文学”(17BZW021)。

摘　　要：在中国文化由传统社会向现代社会转型的历史过渡期,“背影”正是传统社会开始远去的象征,而散文《背影》则是朱自清对父权神像坍塌之后亲情脉络续接的隐喻性书写。朱自清作为觉醒的现代人,逐渐走出了父辈的狭小天地,让自我人生在学校教育、文学创作和文学研究中找寻到实现社会价值的方式。通过对父亲背影的书写,朱自清把深潜于自我内心深处的情感灌注到作品中,并借助“眼泪”将其外化了出来,过滤掉父亲背影之外的其他影像,凸显了一个充满着父爱的中老年父亲的形象。这一“背影”隐喻着对包括父权在内的传统文化中的糟粕的告别,以及觉醒者自我的文化裂变与新生,由此引发了不同时代读者的人生共鸣。In the historical transition period of Chinese culture from traditional society to modern society,“the sight of a back”is a symbol of the departure of traditional society,and the prose The Sight of Father's Back is a metaphorical writing of ZHU Ziqing's continuation of the familial bond after the collapse of the patriarchal statue.As an awakened modern person,ZHU Ziqing gradually stepped out of the narrow world of his parents and found a way to realize social values of his life in school education,literary creation,and literary research.Through the depiction of the sight of his father's back,ZHU Ziqing infused his innermost emotions into his works,using“tears”to externalize them and filtering out other images beyond his father's back to highlight the image of a middle-aged and elderly father filled with fatherly love.This sight of a“back”symbolizes a farewell to the dregs of traditional culture,including patriarchy,as well as the cultural fission and rebirth of the awakened one himself,which has triggered similar life resonance among readers of different eras.

关 键 词：朱自清 《背影》 代际冲突 父权 

分 类 号：I206.6[文学—中国文学]