基于扎根理论的沈从文20年代诗歌美学思想内涵研究  

A Grounded Theory-Based Study of Shen Congwen’s Aesthetic Ideas on Poetry in the 1920s

作　　者：鲁娅辉[1] 吴斐[1] LU Yahui;WU Fei(College of Foreign Languages,Hunan Institute of Engineering,Xiangtan 411104,China)

机构地区：[1]湖南工程学院外国语学院,湖南湘潭411104

出　　处：《湖南工程学院学报(社会科学版)》2025年第1期48-54,共7页Journal of Hunan Institute of Engineering(Social Science Edition)

基　　金：湖南省哲学社会科学基金项目“‘一带一路’背景下沈从文与谭恩美跨文化比较研究与西部文化传承”(19WLH09)。

摘　　要：近年来沈从文研究有向美学和哲学转向的趋势。基于扎根理论,采用抽样和访谈的方法,对国内外从事沈从文研究的学者进行访谈,以及对诗歌美学研究相关文献进行评估,并进行编码分析,构建中西美学比较视域下的沈从文20世纪20年代诗歌美学思想内涵的模型。将这一美学内涵运用到沈从文20年代诗歌的探讨上,揭示沈从文20年代新诗的美学特征,即诗歌的美学传统、沈从文的新诗、“五四”新诗的美学特色。这既是新诗的美学特征,又是沈从文20年代诗歌美学思想内涵的重要组成部分。寄望以此诗歌美学思想内涵模型为基础,为未来沈从文美学研究和中国新诗的系统发展研究提供借鉴。In recent years,Shen Congwen’s studies have shifted towards aesthetics and philosophy.This grounded theory study uses sampling and interviews with global scholars in Shen Congwen’s studies.It evaluates relevant poetry aesthetics literature,applies coding analysis to construct a model for the core thematic elements of Shen Congwen’s poetic aesthetics in the 1920s,from the perspective of comparing Chinese and Western aesthetics.Applying this model to explore Shen Congwen’s poetry from the 1920s reveals the aesthetic features of his new poetry,with the integration of the poetic aesthetic tradition and the May Fourth New Poetry Movement.These features define the aesthetic qualities of contemporary poetry and a significant part of the core of Shen Congwen’s poetic aesthetics in the 1920s.The paper aims to provide reference for future studies on Shen Congwen’s aesthetics and systematic development of Chinese new poetry.

关 键 词：沈从文研究 扎根理论 诗歌美学 

分 类 号：I206.6[文学—中国文学]