论二次元群体的媒介化生存及其与主流文化的互动  

On the Mediatized Existence of Nijigen Groups and Their Interaction with Mainstream Culture

作　　者：王子涵 刘荃 WANG Zi-han;LIU Quan(School of Media Arts and Communication,Nanjing University of Arts,Nanjing,Jiangsu 210013;Division of University Planning and Disciplinary Development,China Pharmaceutical University,Nanjing,Jiangsu 211100)

机构地区：[1]南京艺术学院传媒学院,江苏南京210013 [2]中国药科大学发展规划与学科建设处,江苏南京211100

出　　处：《艺术百家》2025年第1期82-89,共8页Hundred Schools In Arts

基　　金：2023年度教育部人文社科研究一般项目“‘知信行统一’思想指导下的青少年影视艺术教育模式研究”(项目编号:23YJA760064)阶段性成果之一。

摘　　要：作为当下网络群体的重要组成部分,二次元群体在互联网平台尤其是人工智能开放平台迅速崛起之后,通过媒体化建构等一系列文化行为,成为一类新的生活方式和存在方式的代表。具体而言,二次元群体在互联网时代塑造了自己“网络原住民”和“文本盗猎者”的媒介形象,完成了从“个体化无中介交往”到“圈地自萌”的社会交往转变,并在与主流文化的“抵抗”中破除“次元壁”,走向与主流文化的融合,其本质内涵和外在表征正在与当下社会逐渐交融。作为青年亚文化的重要组成部分,二次元文化在当今社会发挥着越来越重要的作用,关注二次元群体的生活状态和精神需求,有助于深入认识二次元文化,也有助于促进青年亚文化与主流文化的互动与融合。As a significant component of contemporary online communities,Nijigen group has emerged as a representa-tive of a new lifestyle and mode of existence,particularly with the rapid rise of internet platforms and artificial intelli-gence.Specifically,in the internet era,this group has shaped its media image as"digital natives"and"textual poachers",transitioning from"individualized non-mediated interactions"to"self-contained niche communities"Through a process of"resistance"against mainstream culture,they have broken the"dimensional wall"and moved toward integration with mainstream culture.Their intrinsic essence and external manifestations are increasingly blend-ing with contemporary society.As a vital component of youth subcultures,Nijigen culture plays an increasingly impor-tant role in today's society.Understanding the living conditions and spiritual needs of this group contributes not only to a deeper understanding of Nijigen culture but also to fostering interaction and integration between youth subcultures and mainstream culture.

关 键 词：二次元群体 媒介形象 社会交往 主流文化 

分 类 号：J05[艺术—艺术理论]