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作 者:武文颖[1] 楚艳艳 WU Wenying;CHU Yanyan(School of Humanities,Dalian University of Technology,Dalian,Liaoning 116024,China)
出 处:《河北大学学报(哲学社会科学版)》2025年第3期39-47,共9页Journal of Hebei University(Philosophy and Social Science)
摘 要:数字时代文学的阅读情感已经裂解了传统的情感结构,形成具有社会互动性、技术互动性和文化互动性的情感反应式。经由这一反应式所得到的情感在类型上超越了单一情感定义,表现为叠加的复合结构;在形态上突破了封闭的静态回漩,呈现出具有特定朝向的波动和转移。在数字阅读场域中,复合的情感以流动的形态介入文本、重构文本,犹如“认知调节器”般持续调整着受众的经验感知和实践行动。在整体的文艺场域中,数字情感已然超越了作品表达的客体角色,成为贯通物质性、数字性与具身性的跨媒介载体。The reading emotion of literature in the digital age has already split the traditional emotional structure,forming an emotional response with social interaction,technological interaction and cultural interaction.The emotion obtained through this reaction has exceeded the definition of single emotion in type,and manifested itself as a superimposed composite structure;in form,it has broken through the closed static back and forth,and presented fluctuation and transfer with specific direction.In the digital reading field,the composite emotion intervenes in the text and reconstructs the text in the form of flow,which is like a“cognitive regulator”that continuously adjusts the audiences experience perception and practical action.In the overall field of literature and art,digital emotion has already transcended the role of object in the expression of works and become a cross-media carrier that connects materiality,digitality and embodiment.
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