论任溶溶对马尔夏克儿童诗艺术的接受  

On Ren Rongrong's Acceptance of Marshak's Children's Poetry Art

作　　者：邓雅晴 王中正 Deng Yaqing;Wang Zhongzheng

机构地区：[1]湖南师范大学

出　　处：《俄罗斯文艺》2025年第2期112-121,共10页Russian Literature & Arts

摘　　要：游戏性是任溶溶儿童诗最鲜明的审美特征之一,这与其长期对马尔夏克的关注和翻译有深度关联。任溶溶深受马尔夏克视儿童为未来“巨人”的儿童观和忠于儿童生命体验的创作观影响,选择了契合自身与儿童性情的充满游戏特质的书写方式,吸收了马尔夏克儿童诗中荒诞幽默的情节设置、刺激视听感官的语言游戏和塑造人物形象的漫画式手法。任溶溶在对儿童诗教育性与文学性辩证思考的基础上,不断吸纳新的时代思潮和艺术元素,使其诗歌表现形式丰沛多元并独具个性,为中国儿童诗提供了宝贵的借鉴。Playfulness is one of the most distinctive aesthetic features of Ren Rongrong's children's poems,which is deeply related to his long-term attention and translation of Marshak.Deeply influenced by Marshak's view of children as future“giants”and his view of creativity as faithful to children's lives,Ren chooses a writing style full of playfulness that suits himself and children's temperament,and absorbs Marshak's children's poems with absurd and humorous plot settings,language games that stimulate the audiovisual senses,and caricature techniques that shape the characters.On the basis of the dialectical thinking of children's poetry in terms of education and literature,Ren Rongrong constantly absorbed new trends and artistic elements,making his poetic expressions richly diversified and unique,providing valuable reference for Chinese children's poetry.

关 键 词：任溶溶 马尔夏克 儿童本位 游戏性 儿童诗 

分 类 号：I207.2[文学—中国文学]