中国艺术有情论的传统面向与现代转化  

The Traditional Orientation and Modern Transformation of You Qing Theory in Chinese Art

作　　者：史爱兵[1] Shi Aibing

机构地区：[1]河北大学艺术学院

出　　处：《中国文艺评论》2025年第4期83-99,I0003,共18页China Literature and Art Criticism

摘　　要：中国传统文化中蕴藉着丰富的艺术理论,其在时代更迭、社会与科技变革以及历代新思想、新生活方式的引领下,不断地自我调整,吐故纳新,形成行健不息的生命动图。本文以中国艺术有情论为观测点,在梳理与总结其传统面向及现代阐释路径的基础上,明了其于传统向现代前行中的承继与坚守、转化与新变,揭示其历史进程中的常变之理,并提出作为“共同发现的视界”,中国艺术有情论在新时代下适应与转化的新思维,以此见微知著,兼论中国传统艺术理论的创造性转化问题。Traditional Chinese culture is rich in art theories,which,under the guidance of the changing times,social and technological changes,as well as new ideas and new lifestyles of successive generations,have constantly adjusted themselves,gotten rid of the stale and take in the fresh,forming an unceasingly dynamic picture of life that never stops moving forwards.This article takes You Qing Theory in Chinese art as an observation point.On the basis of sorting out and summarizing its traditional orientation and modern interpretation paths,it clarifies its inheritance and persistence,transformation and innovation in the process of transiting from tradition to modernity,reveals the principle of constant change in its historical process,and proposes a new way of thinking about the adaptation and transformation of You Qing Theory in Chinese art in the New Era as a“horizon of common discovery”.This is to see the big picture from the small details,and also discuss the issue of creative transformation of traditional Chinese art theory.

关 键 词：中国艺术有情论 传统面向 现代转化 艺术理论 

分 类 号：J0[艺术—艺术理论]