美国博物馆的中国文物流藏链探究——以佛教石像为代表  

Research on the Flow of Chinese Cultural Artifacts in American Museums——With Buddhist Stone Sculptures as a Representative Case

作　　者：刘洪彩[1] Liu Hongcai(School of Fine Arts and Calligraphy,Nanjing University of the Arts,Nanjing,China)

机构地区：[1]南京艺术学院美术与书法学院,江苏南京210013

出　　处：《社会科学论坛》2025年第3期111-123,共13页Tribune of Social Sciences

基　　金：国家社会科学基金一般项目《旧金山亚洲艺术博物馆藏中国佛教造像调查与研究》阶段性成果,项目编号:18BZJ018。

摘　　要：19世纪以来,不计其数的中国艺术品流散海外,被美国、日本等国收藏。佛教造像是美国博物馆中国艺术藏品的主要类别之一,其中形成于20世纪初的佛教石像流藏颇具代表性。中国佛教石像流藏链,以北朝隋唐石像为核心,由关系密切且分际模糊的中国佛教造像源头、国际古董商、美国收藏家与博物馆、东亚艺术史学者组成,其中古董商起了重要的链接作用。Since the 19th century,countless Chinese artworks have scattered abroad and are now held in collections in countries such as the United States and Japan.Buddhist sculptures are one of the main categories of Chinese art collections in American museums,and the flow of Buddhist stone statues that began in the 1910s is particularly representative.The flow chain of Chinese Buddhist stone statues centers on Northern and Sui and Tang Dynasty stone sculptures and consists of closely related yet vaguely defined entities,including the origin of Chinese Buddhist sculpture,international antique dealers,American collectors and museums,and East Asian art historians,with antique dealers playing a significant linking role.

关 键 词：美国博物馆 中国 艺术品 佛教 石像 

分 类 号：J19[艺术—艺术理论]