野性的潜能:从生命本体到人类世感知  

The Wild Potential:From Life Ontology to Anthropocene Perception

作　　者：蔡潇 Cai Xiao

机构地区：[1]上海工程技术大学国际创意设计学院

出　　处：《艺术传播研究》2025年第3期59-72,共14页Journal of Art Communication

摘　　要：有哲学家认为植物独特的灵魂存在要求它成为其他事物的通道、出口或媒介,植物灵魂和“植物-思维”的优势在于让其他事物通过“它”而不会减损其他事物的他性。如果它们生长是为了更有效地扮演这一角色,更好地欢迎其他事物,那么艺术的存在能对植物的本体论作出什么样的贡献这个问题就亟待展开探讨。在今天,植物已经成为能够服务于植物本身的艺术作品——帮助它们自身从工业化世界对它们的技术工具化中解放出来。将艺术尤其是艺术促成的美学经验用于把握植物与动物在本质上的差异,作为对科学的补充是非常有必要的。从上述问题出发,可观照当下数智时代的植物艺术与影像,揭示植物如何释放它在与环境互动的过程中作为不断进行再个性化和再个体化的能动主体的潜能,并意识到潜伏于人类被媒介驯化过程中的、蕴含超文明潜能的植物自身的视角。Some philosophers believe that the unique existence of a plant’s soul requires it to become a channel,outlet,or medium for other things.The advantage of a plant’s soul and“plant⁃thinking”is that it allows other things to pass through“it”without diminishing the otherness of other things.If they grow to play this role more effectively and better welcome other things,then the question of what contribution the existence of art can make to the ontology of plants urgently needs to be explored.Today,plants have become works of art that can serve the plants themselves—helping them liberate themselves from the technological instrumentalization of the industrialized world.It is necessary to use art,especially the aesthetic experience facilitated by art,to grasp the fundamental differences between plants and animals as a supplement to science.Starting from the above issues,we can observe the current plant art and images of digital and intelligent present,revealing how plants unleash their potential as active agents of continuous re⁃individualization and re⁃individualization in the process of interacting with the environment,and realizing the perspective of plants themselves,which contain super civilization potential and are hidden in the process of human domestication by media.

关 键 词：野性的潜能 生命本体 人类世感知 植物主宰 

分 类 号：J0[艺术—艺术理论]