基于形态美学的江永“女书体”设计探究  

Research on the Design of Jiangyong“Nvshu Style”Font Based on Morphological Aesthetics

作　　者：吴卫[1] 任师 WU Wei;REN Shi(Fine Arts Academy,Hunan Normal University,Changsha,Hunan,410012,China)

机构地区：[1]湖南师范大学美术学院,湖南长沙410012

出　　处：《家具与室内装饰》2025年第4期44-48,共5页Furniture & Interior Design

基　　金：2023年度湖南省社会科学基金项目(23JD010)。

摘　　要：以江永女书形态美为研究基础,探究其构成规律旨在将江永女书形态美学特征融入现代字体设计中去,为现代字体设计注入地域性的文化内涵,为女书的传承与创新增加新的活力,更好地服务地方经济。分析江永女书的造字逻辑以及探索其形态美学特征,将其显著的形态美学特征与汉字造字规律相结合进行字体创新。创作出既保留女书韵味又符合当代审美,同时具有可识别性的“女书体”,并拓展“女书体”的应用领域,以推动江永女书文化的传承与弘扬。Based on the research of morphological aesthetics of Jiangyong Nvshu,the study explores its composition law with the aim of integrating its aesthetic characteristics into modern font design.The goal is to inject regional cultural connotation into modern font design,add new vitality into the inheritance and innovation of Nvshu,and better serve the local economy.This paper analyzes the character creation logic of Jiangyong Nvshu,explores its morphological aesthetic characteristics,and combines the distinctive characteristics with the law of Chinese character creation to innovate font design.This study creates a"Nvshu style"font that not only preserves the charm of Nvshu,but also conforms to the contemporary aesthetic with identifiability.It also expands the application field of"Nvshu style"font,promoting the inheritance and spread of Jiangyong Nvshu culture.

关 键 词：江永女书 形态美学 女书体 字体设计 美学特征 

分 类 号：TS664.1[轻工技术与工程]