数与音乐——比较毕达哥拉斯学派与《吕氏春秋·音律》  

Numbers and Music-A Comparison between the Pythagorean School and Music and Tuning in Master Lü’s Spring and Autumn Annals

作　　者：冯钰文 FENG Yuwen

机构地区：[1]中央音乐学院音乐学系,北京100091

出　　处：《浙江艺术职业学院学报》2025年第1期77-85,125,共10页Journal of Zhejiang Vocational Academy of Art

摘　　要：形式研究是音乐美学研究中较重要的方向。基于相通的立论根基,毕达哥拉斯学派提出天体音乐观,而《吕氏春秋·音律》则提出天道音乐观。进一步地,二者各自对音乐之美进行数理层面的剖析,以此从形态上升到观念,分别提出音乐的净化功能与社会功能,从而挖掘音乐形式美的数理表现形态及其美学内涵。Formal study constitutes a rather significant aspect in the research of music aesthetics.Grounded on the common theoretical basis,the Pythagorean School put forward the view of celestial music,while the Music and Tun⁃ing(Yin Lü)in Master Lü’s Spring and Autumn Annals(Lüshi Chunqiu)presented the concept of the music of the natural law.Furthermore,both respectively conducted a mathematical-level analysis of the beauty of music,ascend⁃ing from form to concept,and proposed the purifying function and social function of music respectively,thereby ex⁃ploring the mathematical manifestations and aesthetic connotations of the formal beauty of music.

关 键 词：毕达哥拉斯学派 五度相生律 《吕氏春秋·音律》 三分损益律 

分 类 号：J601[艺术—音乐]