主观自我:浪漫主义的缘起与危机  

Subjective Ego:The Origin and Crisis of Romanticism

作　　者：王作[1] 

机构地区：[1]保定师范专科学校学报编辑部,河北保定071051

出　　处：《保定师范专科学校学报》2003年第1期42-44,共3页Journal of Baoding Teachers College

摘　　要：浪漫主义是对古典主义理性精神的对抗,其主观自我表现意识的勃兴是以古典主义对典范文本的尊崇、对客观具象实体的逼真再现与精细摹仿、抑制主体的自我创造为批判指向的。浪漫主义的艺术本体论是建立在对人的感性存在和真实生命活动的认可与推崇基础之上的,这也是浪漫主义的主观自我意识的本体论渊源。但是,浪漫主义对主观自我的极致张扬恰恰又是以无视生命个体的真实生存状态而企图切断其与人类文明整体生存状况的联系为代价的。The Romanticism is a resistance against Clas-sicism rational spirit.The flouris hing of the subjective self -expression consciousness takes the following factors supplied by Classicism as critical directions,i.e.the revere of the canonical text,the distinctly reappearance a nd nicely imitation of the ob-jective substance and the self-creation of the restraining main body.The artisan ontology of the rom anticism is constructed on the basis of the approval and advocac y of the perceptual exis-tence and the real vital movement of mankind,which is the ontological origin of the subjectiv e self-consciousness of the ro-manticism.However,the intensive e xpression of the subjective ego by the romanticism is exactly at t he cost of the neglecting the real living status of the single l ife and the intention to cut off the connection between the whole liv ing status of human's civ-ilization and itself.

关 键 词：古典主义 浪漫主义 主观自我 

分 类 号：J01[艺术—艺术理论]