异域犹将正朔遵——南洋竹枝词的阐释方式与文化建构  

Comply with the Laws of Home even in a Foreign Country——Interpreting and Cultural Construction of Nan Yang Zhu Zhi Ci Poetry

作　　者：赵颖[1] 

机构地区：[1]陕西师范大学文学院,陕西西安710062

出　　处：《理论界》2015年第4期39-43,共5页Theory Horizon

基　　金：教育部社会科学基金项目"跨文化语境下的新加坡华文旧体诗研究"的阶段性成果(项目编号:13YJC751082);中央高校基本科研业务费专项资金项目一般项目"东南亚华文旧体诗的跨文化研究暨史料整理"的阶段性成果(项目编号:14SZYB19)

摘　　要：作为一种文化现象,竹枝词这一自唐代刘禹锡借鉴巴楚民歌而形成的诗体在南洋以异质文化为摹写对象,通过以诗证史产生全面而深刻的独特认识价值。与传统竹枝词相比较而言,南洋竹枝词所涉及社会生活的广度、深度方面与中国本土有着不同的文学体验,其创作的触角延伸到社会生活的各个角落而具有独特的社会史意义。在艺术上亦显见开拓与创新。As a cultural phenomenon, ZhuZhiCi poetry is Liu Yuxi in Tang Dynasty learned from the Bachu songs.When this Creative formed in Southeast Asia, it is used to describe the different cultures by comprehensive and profound understanding.In comparison with the traditional Zhuzhici poetry, Nanyang Zhuzhici poetry involved in social life breadth and depth which is a totally different experience from local Chinese literature.Nanyang Zhuzhici poetry creation tentacles extend to every corner of social life and have a unique sense of social history.It is also produced artistic development and innovation at the same time.

关 键 词：南洋 竹枝词 跨文化 以诗证史 

分 类 号：I106.2[文学—世界文学]