儒道两家对相人术的超越及其文学表现  

The Transcendence to the Physiognomy from the Confucianismand Taoist School and Their Literature’s Expression

作　　者：王凤霞[1] 

机构地区：[1]中国运载火箭技术研究院长征报社,北京100076

出　　处：《齐鲁学刊》2003年第3期105-107,共3页Qilu Journal

摘　　要：相人术作为一种预测方术在中国古代典籍中留下许多记载。通过对人的外貌神情、举止言谈的观察 ,从而推断出人物的内心世界 ,儒道两家在文学作品中都有所表现。儒家遵照其“有诸内则发诸外”的原则 ,认为人物的美与善具有内在的联系 ,二者经历了由分离到重合的演变过程。道家则以美与善的巨大反差诠释了其独特的生命意识。虽然儒道都对人的外貌很关注 ,但儒家在伦理道德的层面品评人物 。There are a lot of accounts of the Physiognomy in Chinese ancient books. Though the Confucianism And Taoist School have different form fight against the Physiognomy, they admit that the wisest man must have the ability judge a man through his look and also have literature’s expression. The Confucianism acts in accordance with the principle that an idea in mind must be revealed, and think that aesthetic and virtuous have internal relations. Taoist School thinks that aesthetic and virtuous have no internal relation and this annotates its single life consciousness. The Confucianism judges man at the level of ethics and morals, but Taoist School judges man at the level of doctrine’s realm.

关 键 词：儒道 相人术 生命意识 文学表现 

分 类 号：B22[哲学宗教—中国哲学] I206.2[文学—中国文学]