壅塞的清除——南朝至唐代诗歌艺术的发展一题  

Elimination of Superfluity ——An Issue Concerning the Development of the Art of Poetry during the Southern Dynasty and the Tang Dynasty

作　　者：骆玉明[1] 

机构地区：[1]复旦大学中文系,上海200433

出　　处：《复旦学报（社会科学版）》2003年第3期117-122,共6页Fudan Journal（Social Sciences）

摘　　要：中古文人诗兴起以后 ,由于对诗歌特质的理解的偏差 ,出现一种语意繁复的壅塞现象 ,妨害纯净的诗境的形成。从南朝至唐对此现象的清除过程 ,也就是中国古典诗歌发展为高度自觉的艺术创造的过程。以语言浅显、意境明净。After the emergence of the poetry written by ancient Chinese men of letters, some misinterpretation of the nature of poetry resulted in semantic superfluity, thus handicapping the formation of pure poetic image. The course of elimination of such a phenomenon during the Southern Dynasty and the Tang Dynasty represents the course of development of classical Chinese poetry into highly conscientious artistic creation. This led to the emergence of a new kind of poetry, in the prime of the Tang Dynasty, which is characterized by plain language, clear artistic conception and lasting appeal.

关 键 词：南朝至唐代 诗歌艺术 壅塞现象 诗境 构成 创作 阅读 

分 类 号：I207.22[文学—中国文学]