从波德莱尔到马尔库塞——现代人形象谱系及其审美之维  

From Baudelaire to Marcuse——The Genealogy and Aesthetic Dimension of Modern People

作　　者：杨向荣[1] 曾莹[1] 

机构地区：[1]浙江传媒学院文学院

出　　处：《上海文化》2015年第3X期68-75,67+126,共10页Shanghai Culture

基　　金：国家社科基金项目"齐美尔与法兰克福学派文艺理论的关联研究"(10CZW007)的阶段性成果

摘　　要：现代性的展开使现代城市成为一个开放式的空间,在这一语境下,波德莱尔、齐美尔、克拉考尔、马尔库塞等西方思想家对都市现代人的生存体验及其审美内蕴展开了独到而深入的分析。对现代人形象谱系的深入剖析可以为现代性研究提供新的理论视角,也为反思当下的生存境遇提供有益借鉴。The development of Modernity makes the modern city becomes an open space. In this context, many western thinkers, such as Baudelaire, Simmel, Kracauer and Marcuse, make a unique and in-depth analysis to the urban experience and aesthetic implication of modern people. The in-depth analysis of the modern people in the modernity context, which provides a new theoretical perspective for the modernity study, and also provides a useful reference to reflect on the current living circumstances.

关 键 词：现代性 现代人 谱系 审美之维 

分 类 号：B83-0[哲学宗教—美学]