作家论是王充文学批评思想核心——从元气论到才性论  

Core of Wang chong's Literary CriticismThe Thesis of Writer is the Ideological——From the Thesis of Vitality to the Thesis of Talent

作　　者：肖元初[1] 钟新果[1] 

机构地区：[1]湘潭大学文学与新闻学院,湖南湘潭411105

出　　处：《河西学院学报》2003年第6期42-45,共4页Journal of Hexi University

摘　　要：王充由于否定“天”的主宰性,所以他从中看到了人的主体性的觉醒,作家论成了王充文论思想的核心,他从元气论入手为后世文论才性提供了前提准备。《论衡》的《定贤篇》、《超奇篇》说明了王充的主要精神。Wang Chong realized the awakening of Main's main role as he negated the Heaven's domination. The thesis of writer is the ideological core of his works. He made ready for the later generations. Writings on the basis of the thesis of vitality. The chapters of Dingxian and chaoqi in the article of on judgment demonstrate the principal spirit.

关 键 词：王充 文学批评 作家论 元气论 《论衡》 《定贤篇》 《超奇篇》 

分 类 号：I206.2[文学—中国文学]