从范畴论看朱志荣的美学思想体系构建  

Construction of Zhu Zhirong's Aesthetic Ideology from the Perspective of Categorization

作　　者：张硕[1] 

机构地区：[1]华东师范大学中文系,上海200241

出　　处：《郑州师范教育》2015年第4期52-56,共5页Journal of Zhengzhou Normal Education

摘　　要：中国美学的发展从某种程度上说就是对范畴的研究发展。朱志荣在多年的美学研究中,重视对中国古典美学中范畴的阐释和梳理,并逐渐形成了以意象为核心,以具有生命意识的"天人合一"的道贯穿始终,以主体论范畴、创作论范畴、风格论范畴、鉴赏论范畴、形态论范畴为主线的范畴体系。这种以范畴为统筹的别具一格的美学体系的构建,具有多维一体、层次分明的特征,真正达到了融通古今的理论高度。There is widespread concern about 'category ' in the aesthetic study at home and abroad. In some way, the development of Chinese aesthetics can be regarded as a development in the study of'category'. Zhu Zhirong has placed much emphasis upon the interpretation and organization of categories about Chinese classical aesthetics during these years and his peculiar taste for aesthetic appreciation has gradually come into being where the image gets to the core and the Taoism runs through all his ideas and more importantly,many categories are formed such as the category of subject,the category of creation,the category of style,the category of aesthetic appreciation and the category of form.

关 键 词：范畴 朱志荣 美学思想体系 

分 类 号：I01[文学—文学理论]