论列斐伏尔的文艺批判思想  

Lefebvre's Critique of Art and Literature

作　　者：孟凡生[1] 

机构地区：[1]华东师范大学中文系,博士研究生上海200241

出　　处：《中国文学批评》2015年第4期75-82,127,共9页Chinese Journal of Literary Criticism

摘　　要：列斐伏尔的文艺批评观主要体现在日常生活批判理论和空间理论之中:他的日常生活批判理论主要探讨了审美与日常生活之间的关系,尤其是批判了日常生活中存在的异化现象,主张用审美来打破日常生活的刻板与重复,从而达到救赎日常生活的目的;后来又把现代性纳入到日常生活批判中,对现代性进行批判,主张用"节庆"和"狂欢"来打破日常生活的常规,实现审美的、自由的存在状态;列斐伏尔的空间理论则是对其审美批判思想的进一步追溯和社会化,他提倡一种旨在打破资本主义统治之下的可量化、均质化的"空间革命",从而恢复空间的开放性和差异性;更为重要的是,"社会空间"中所蕴含的整一性和身体维度对文艺生产和批判活动也提出了新的要求。Henri Lefebvre's idea of art and literature is embodied mainly in his critique of everyday life and his theoretical reflection on space.He mainly explored the relationship between aesthetics and daily life,the alienation in everyday life in particular.Aesthetics is expected to be a redemption and break its stereotype and repetition.Later on,he expanded the scope of his criticism to modernity.He advocated using 'holidays' and 'carnivals' to decrease the routineness of everyday life and to arrive at a free and aesthetic state of existence.His space theory was a deepening and socialization of his aesthetic idea.He called for a 'space revolution' to get rid of the measurable and homogenized space under capitalist system,so that to restore the openness and difference of space.Most importantly,the regularity and 'body dimension' of 'social space' have brought up new demands for literary production and criticism.

关 键 词：列斐伏尔 日常生活 审美 空间的生产 文艺批判 

分 类 号：I01[文学—文学理论]