主客互动悦和声——从《声无哀乐论》看嵇康的音乐欣赏理论  

Subject and Object Reciprocate to Enjoy Harmonious Tone——Study Ji Kang‘s music appreciation theory from "Tone has no sadness or happiness

作　　者：潘伟[1] 

机构地区：[1]河南大学艺术学院,河南开封475001

出　　处：《韶关学院学报》2003年第8期125-129,共5页Journal of Shaoguan University

摘　　要：《声无哀乐论》体现了嵇康独特的音乐欣赏思想。其主要观点有 :音乐欣赏的本质在于人获得“和声”的音乐美感 ;音乐欣赏的过程是欣赏主、客体互动统一的两个心理层次 ;音乐欣赏的功能在于以“无声之乐”标识自由人格及移风易俗。Ji Kangs work ' Tone has no sadness or happiness 'embodies his unique music appreciation theory. According this question,his main ideas are:Music appreciations essence lies in the subject gets harmonious tones musical aesthetic feeling. Music appreciations process is two psychological levels on the appreciative subject and objects reciprocation and unity. Music appreciations function is manifesting free personality through noiseless music and transforming social traditions.

关 键 词：嵇康 音乐欣赏 主体 客体 

分 类 号：J601[艺术—音乐]